Teezy The Heartstoppa Share Click image to listen Baton Rouge artist,singer song writer and artist slash musician.Single father who passion is making music and traveling the world.I did my first show in high school and I was the first and last till this day that ever performed for ROBERT E LEE HIGH SCHOOL.

Catherine Corelli Share Click image to listen I am Catherine Corelli, a musical and graphic artist, and a transsexual woman. My primary genre is a cross-over of modern heavy metal and electronic/hip-hop music. However, I do have purely pop songs and EDM tracks. I've been influenced by bands and artists such as Slipknot, Korn, Bring Me The Horizon, Enter Shikari, Marilyn Manson also Placebo, Dream Theater, Steven Wilson, Fytch, BLAISE MOORE, Hans Zimmer, Joe Satriani and others. I have chosen to walk through life with music in my heart. Sometimes, it's darker, sometimes it's lighter. But it always comes from the bottom of my heart.

niwdeyen Share Click image to listen Musician, Guitarist, Producer. Focused on dark music, navigating a fractal nightmare, crying out for freedom, music steeped in madness and hope. Lead guitarist of the metal band "Ebola Colombia" Creating music that boils at the center of the soul of humanity from Colombia.

< Back People of the Parallel - Artist Exploration Can's Headphones Oct 5, 2020 The first song I fell in love with was 'Eyes and See' and I don't think I'm unlike many there. That was a few months ago when I stumbled across People of the Parallel. Given the opportunity to do a deeper dive is honestly something I'm ecstatic to do, especially since I found songs like 'Ice Box' and 'Killed It'. Going through this catalog there is a lot to learn about Nashville-based EDM artist People of the Parallel . I don't want to start right away with my favorite song because I think ending with it will help to show the growth that this artist has gone through over the years. One of the most interesting things I found out about PotParallel(isn't that fun!) digging around is that he likes to start his creative process with - and get this - his mouth! I was kind of shook when I read that the first time, too, almost think it was sarcasm initially. He elaborates about how he finds his foundation using his mouth to make noises and whatnot than when the structure is there he goes in the box and fills in all the important bits with what you hear now - synths, hits, drums, and most importantly, vocal samples. Knowing that makes listening to songs like 'Its Your Birthday' really fun because I can just imagine a man sitting behind a desk beatboxing to himself in the rhythms and builds I hear now. They work, too! Dubstep and EDM have always been something that might be out of my grasp forever - I went through my electronic phase as a kid. Had the iPod shuffle filled with Skrillex, BOTDF, Teddybear, Nero, you guys know the good stuff. I even did a lot of demos which are probably (shamefully) floating around on the internet somewhere. It's the chaos I think that messes with me a little - I have found ways to adjust to things like Noise-Rock but Dubstep especially never came as anything more than noisy dance music. People of the Parallel didn't lose his drive through that 2012 - 2015 decline in the genre though. If anything, it seems that when singles like 'Rescue Me Rescue You ' and 'Time ' started popping up in 2019 for streaming, PotParallel had a little more to prove than those who were looking to reenter the scene for the hype. 'Rescue Me Rescue You' is a good testament to the People of the Parallel's attempt to stand above the rest of the noise (no pun intended). Most of my nit-picking was at a technical level and even then, it's wasn't super often. Going through People of the Parallel's background it seems like there is a long history of hanging around studios interning or even working behind the board as an independent engineer. The musicality is there, too. That can more than likely be attribute to People Of The Parallel's long exposure to music within the family and on the business side. 'Rescue Me Rescue You' borders between EDM and Pop and that is one of the things I like about it. It's almost like listening to an early 2000's Justin Timberlake song. There is a lot to like in this song - the drive behind the beat. It keeps you moving the entire time, even in the slightest way. I like the way the cadences shift, too. Time changes are important in EDM and lots of people do a great job at butchering them so I'll tip my hat to you. Another song I really liked was 'A Memory of You'. Going into a catalog I'm always looking for versatility - the ability to be versatile is an essential asset to artists. People of the Parallel shift gears in this single to bring you some alternative rock vibes, straying a little away from the pop scene and digging into a little bit of...Latin ? Feels Latin, I have to say. A very chill instrumental track, this opens the room for slow-dancing within the catalog or easy listening for anyone at home or consuming this piece of media. Audio capture is done very well in this piece and the mix is well put together. Everything has its place and....the percussion is compressed I could probably cry. I'm gonna put it all on the line here and say this was done with live instruments and it was done right . I'm going to have to put on more hats to tip here soon. Getting a little more into what brought me to People of the Parallel's playlist all those (3! haha) months ago I present to you 'Ice Box '. As a classical music appreciator/major band nerd/music theory buff I am a sap for unique melodies and key changes. 'Ice Box' is just that. It starts off in the key of G major and goes...well somewhere. I feel like we go down to the relative minor but I can't be super sure nowadays haha. Either way, it does it for me and sits in this really nice place in my stomach. PotParallel does a good job of changing things up in tiny little ways through each little segment of the song, and the transitions are pretty nice. I really bought into the saw synth in the background, too. I think that was very nicely executed and wasn't far from being too grating. At times, it was almost pleasant! So, last but certainly not least, I present to you 'Eyes and See'. I could probably do an entire write-up of why I think that song deserves a very special place in spin charts across the country. However, I am but a man - with a Plan! might I add - and I am here gushing to you here for now. And where to start?! This song is right up there with Imagine Dragons-Esque stadium bangers. The vocals are leaps and bounds past where they have been in previous works. I still get gooseys going through this song occasionally. In terms of being a story, it has all the important parts - the lyrics resonate with the listener and the singability for those who are familiar with the song is off the charts. I'm curious to see what is next after 'Eyes and See' - this song hit so many boxes on my checklist the first time going through I was shocked I hadn't heard this ANYWHERE else until I stumbled upon it one day on Twitter. PotParallel's mixing in this one is off the charts, too. That's where we get our "stadium-anthem-ness"; there are deep and captivating bass hits. The vocals are paired with the perfect effects to give an ethereal and omnipotent feeling. Vocals and percussion in the background keep the listener involved the entire time. This honestly feels like it's one phone call away from being somewhere big. Can's Headphones October 2020 Previous Next

HEGstraction Share Click image to listen HEGstraction is an electronic music producer from Lincolnshire in the UK. His first album, ‘Movement’, minimal techno, in the anticipated series of ‘Space, Movement & Light’ is out now. He grew up in the 80s and 90s heavily influenced by the emergent electronic music in Amiga, Nintendo & PlayStation video games, & the movie soundtracks made by electronic music pioneers Jean-Michel Jarre, Tangerine Dream, & Kraftwerk. This led to a natural inclination towards House, Techno & Trance music. More recently, HEGstraction has been influenced by German techno DJ/producers Felix Krocher & Stephan Bodzin. His inspiration differs from most artists, as it comes from the dance floor, where he is most at home. He approaches each song as a mini set, building up slowly, using level changes, sounds that stimulate & energize, whilst also bringing it back down ready for the next DJ or track, creating a trance-like state. Skeletalism & massification are evident in most tracks.

Pablo la Rosa Share Click image to listen Musician, sax player, producer and playlist curator from Argentina.

Ciroyelle Share Click image to listen Ciroyelle - a singing Rebel and Non-Conformist. The natural and authentic Musician stands for Originality. Straightway this also conveys her incomparable voice. Born near Frankfurt am Main (Germany), she spotted her Love for Music in young years, while growing up in an international environment. Various European, and later also the musical and cultural influences from around the World - shaped her identity and define Ciroyelle's artistic perspective and Inspiration. She takes the World with open eyes and ears and expresses passionately her Observations and Philosophies in her own Lyrics, vocally and sometimes with Rap. So she embodies her multifaceted Personality in her Music, too. The result is a phenomenal, energetic, and hypnotical Sound.

The Cryptids Are Alright Share Click image to listen I am a one man collective that does spooky/trippy folk music.

WITTY Share Click image to listen I LOVE MAKING MUSIC, THAT'S IT!

Red Stoned Dog Share Click image to listen Guitar player & producer from Lleida Thank you for listening.